Receiving my first film camera marked the beginning of a journey through images, vision, and memory. Over time, I came to notice how every viewfinder silently guides perception—the brightness, scale, and design shaping how a photographer encounters the world.

Intrigued, I began photographing viewfinders themselves—treating them not as hidden mechanics, but as subjects. Here, the viewfinders and interiors of ten classic cameras are captured through macro photography, lighting experiments, and film, offering a glimpse into the worlds they once framed. I hope to make looking more than a single direction, but a mutual gaze where we reflect one another.

These cameras hold memory and history alike. Through their gaze, we may find reflections on how to see, how to connect, and how to remember.